Red Hook Post is a post production facility created by long time industry professional Tom Efinger. The Red Hook neighborhood is a highly creative community and provides a great environment for the work we do and the creators who come to work with us.
With the in house expertise of senior sound design and engineering professionals, Tom Efinger, Abigail Savage, and Jeff Seelye, RHP is packed with audio experience and ready for action. With almost 60 years of collective experience for this group, we have the knowledge to design intelligent workflows and execute projects with a keen sense for creative detail and precision.
Tom Efinger
President, Creative Director
After attending Phillips Academy Andover and the University of Vermont, Tom started his sound for film career, in NYC, in the early 90s. He has worked with many notable directors over the years including Tod Solondz, Lisa Cholodenko, Tom McCarthy, Ramin Bahrani and more recently with Josh Marston, Mike Birbiglia, Ti West, Larry Fessenden and Charles Ferguson. He now has well over 200 credits for sound design, sound supervision, and mixing. Tom works in both documentary and narrative film, video art, TV drama, and VR. Tom received a Grammy, for Best Comedy Album, for his engineering work on Lewis Black’s Stark Raving Black.
Abby Savage
Sound Design and Supervision
Abby started working with Tom and Dig It Audio in 1998 and has since completed remarkable sound work on numerous film and TV projects. She has become a sound design and SFX specialist, and her work can be found on some of the best indie film titles in recent years. Her credits list includes the films Sugar, Goodbye Solo, Inside Job, At Any Price, Sleepwalk With Me, Complete Unknown, and Europa Report, just to name a few. Abby is also an actor, and is most well known as Gina in Orange Is The New Black. She has appeared in films such as Precious and Oren Moverman's Time Out Of Mind.
Jeff Seelye
Sr. Mix Engineer & Producer
Jeff has worked with Tom since 2008, after a stint as an IT specialist and music engineer and mixer. Since then he's been piling up the film and TV credits as a sound editor, designer, supervisor, and senior mixer. Along with being the go-to engineer for all short-form content, he also excels in ADR and Foley recording, technical services and music mixing.
